Monday, April 21, 2014

Guest Post: Author-Editor Deborah Halverson on Setting, Wherefore Art Thou?

By Deborah Halverson
for Cynthia Leitich Smith's Cynsations

When Cynthia graciously invited me to write a guest post for her blog, she asked if there was a particular writing craft item on my mind. Indeed, there is. And its color is blue.

Blue screen, that is. The kind they use in movie making when they film actors against a blank blue screen and then Cg in the background.

During a blue-screen shoot, the cameras capture the characters delivering their dialogue and action, but they don’t capture the setting. There is none. It’s just blue nothingness.

The scene doesn’t come fully alive until the special effects people go in and add the setting. I’ve been thinking a lot lately about something I call “bluescreening” in young adult manuscripts.

I’ve been editing teen/tween manuscripts for more than fifteen years, acting as a bridge between writers and their readers, doing my best to ensure that the story the writer wants to tell is the story that reaches her readers.

In the last few years, I’ve noticed an increasing dearth of setting in the manuscripts crossing my desk. Writers are focusing on voice and plot and character arcs, and on fresh, marketable hooks—and rightly so, as these are all integral storytelling elements.

But our poor little friend, Setting . . . she’s barely there. Such a powerful storytelling tool, yet so overlooked of late. Why? What’s happened? Where did setting go?

These days writers are working their tails off to satisfy the increasingly strong call for action and faster-paced plots, with an accompanying call for characters who can shoulder that.

In the process, setting—the quiet workhorse of stories—is being short-changed. The characters are dropped in a location—a room, a park, wherever—and then it’s “Onward, ho!” to the action and the dialogue.

Where’s the sense of place? Where’s the feeling that this scene could happen nowhere else but here? Where’s the full reading experience?

Too often, I feel like I’m watching a movie for which the special affects crew has forgotten to generate the background, leaving the characters walking and talking in front of that vast blue nothingness.

That’d be a pretty big boo-boo in a feature film, wouldn’t it? So, too, in a novel.

Think about the YA/middle grade novels we love.

Without setting, we wouldn’t have Beetle’s warm, moiling dung heap sheltering us from the frosty night in Karen Cushman’s Newbery Medal-winning The Midwife’s Apprentice (Clarion, 1995).

We wouldn’t have the terrifying frozen beauty of The North in Philip Pullman’s bestseller The Golden Compass (Knopf, 2006).

We wouldn’t have Kathi Appelt’s National Book Award Finalist The Underneath at all (Atheneum, 2008).

We need setting in our stories. We need the richness that makes up setting, the sensual engagement that can only come from hearing the crunch of frosty grass under the protagonist’s bare feet, or feeling the sudden whispery kiss of a spider’s web dangling from the eaves. We’d just have a girl walking across a lawn and a creepy old house. Where’s the joy in that?

The lovely thing is, lack of setting is an easy boo-boo to fix. And when you bang that nail into place, the overall effect on the manuscript is substantial.

If you write teen/tween novels, take a look at your current work-in-progress. Is it all action and dialogue? Or have you given us enough sensory detail to fill out the space around the characters?

I’m not saying go all Henry James on your audience. Heavens, no! Few can stomach such long-winded descriptions of setting. Certainly not your average teen reader.

Instead of describing or simply naming your setting, show your character interacting with elements of it, manipulating those elements or reacting to them. Give us the sounds and smells and textures and temperatures and sensations that distinguish that particular place by having your character hearing them, smelling them, and feeling them.

Along the way, you will enrich your entire story because:

* setting influences and illuminates characterization

Imagine one character finding solace in the songs of mockingbirds on a flower-covered (and floral-scented) mountaintop, while his friend hunkers under a freeway overpass and loses himself in the sounds of the traffic, the vibrations of the ground, and the fumes of a world too busy to notice him.

* setting figures directly into plot

A dingy, mud-caked window screen blocks a character’s view of a fight outside. He faces a choice: ignore the fight, or leave the safety of his house to watch it—or to stop it.

* setting influences characters’ word choice

Trip-slipping on the gritty asphalt crumbs of a dilapidated road blurred by heat waves…. Tromping through biting snowdrifts…. Both can put foul words into the mouths of saints!

* setting affects pacing and tension

Compare the discomfort of feeling the flesh of strangers’ arms, shoulders, even cheeks, as a character shoves through a busy train station with the caress of a cool breeze on the character’s cheek as he wiggles his toes into the powdery sand of an empty beach.

* setting provides subtext and ambiance

Catholic school vs. public school, anyone? Oh, the sensory details that distinguish each of those settings.

Above all, characters need a sense of place to know how to behave. Don’t just give them somewhere to be; show how that particular place influences their mood and actions. You chose that setting for a reason, mine it so that readers can feel that sense of place for themselves.

For your audience, a rich setting is the difference between watching characters and being there with them. For you, it means more meaningful and satisfying scenes. Improving your use of setting is a win-win deal—and that’s certainly nothing to feel blue about.

Cyn & Deborah with her sons
Cynsational Notes

This post was originally published in June 2010. Past posts will be sprinkled into the schedule for the duration of Cyn's revision deadline.

Deborah Halverson is the award-winning author of the teen novels Honk If You Hate Me (2007) and Big Mouth (2008)(both Delacorte/Random House) as well as Writing Young Adult Fiction for Dummies (Wiley), Letters to Santa (available via the USPS) and Cyber World, Meltdown and Robotic World (Rubicon's REMIX series).

She edited picture books and teen novels for Harcourt Books for ten years before leaving to write books full-time.

Deborah lives with her husband and triplet sons in San Diego, California, where she also runs her writers’ advice website Dear-Editor.com and freelance edits fiction and nonfiction for both published authors and writers seeking their first book deals.

Friday, April 18, 2014

Cynsational News & Giveaway

Compiled by Cynthia Leitich Smith
for Cynsations

Christian Slater, Annie Hall, Rejection, and Me (Not Necessarily in That Order) by Shawn K. Stout from the Writing Barn. Peek: "That feeling, right there. Do you know the one? That crushing ache? The one right there in the middle of my chest that tells me in that moment I’m unloved by the universe? That’s what rejection feels like to me. Every. Single. Time."

A Logic Model for Author Success by Sharon Bially from Writer Unboxed. Peek: "Called the 'Logic Model'...its goal is to help writers make the best decisions about where to focus their creative energies and efforts when it’s time to launch their books."

Do I Capitalize "God" in Dialogue and Internal Thoughts? by Deborah Halverson from Dear Editor. Peek: "The only rigid rule for capitalizing 'God' in dialogue and thoughts is that you do so when using it as a pronoun: 'Joe, God won’t like that.' Beyond that..."

Think Before You Write by Ash Krafton from QueryTracker Blog. Peek: "Even if I were to sit down as soon as I can and start banging out the scene, it never feels quite the same as it did during its inception. I feel like I lose little parts of myself every time that happens."

Carol Lynch Williams on The Haven by Adi Rule from wcya The Launch Pad at Vermont College of Fine Arts. Peek: "Treat writing like a job. It's not behind the dishes or taking out the garbage. It's your profession. You write first."

Chukfi Rabbit's Big, Bad Bellyache: A Trickster Tale by Choctaw author Greg Rodgers: a recommendation from Debbie Reese at American Indians in Children's Literature. Peek: "...the illustrations by Leslie Stall Widener are terrific. They provide the visual clues that this is a Choctaw story. The clothes the characters wear accurately depict the sorts of items Choctaw's wear, from tops like the one Chukfi wears to the baseball cap that Kinta wears."

The Emotional Journey of a Novel by Mary Kole from Kidlit.com. Peek: "...what we’re looking at above is the standard three-act structure but instead of tracking how the plot rises and then falls, we are tracking how the character feels during each step of the process."

Editing for Agents by agent Tina Wexler and author Skila Brown from Literary Rambles. Peek: "Maybe the agent’s comments are prescriptive in a way that you don’t really like, but listen hard to what problem s/he is identifying and see if you’ve got another idea on how to fix it."

What "Frozen" Teaches Us About Storytelling & Publishing by Stina Lindenblatt from QueryTracker Blog. Peek: "There are quite a few plot spoilers in this post, so if you’re planning to watch the movie, do so first."

Cynsational Author Tip: You may own the copyright to your book, but not everything written about it.  Keep review quotes short, and as a courtesy, provide a link to the source.

A character on the autism spectrum.
Characters on the Autism Spectrum by Yvonne Ventresca from YA Highway. Peek: "At a time when one in every 68 children in the U.S. is affected by autism, it’s interesting to see how children’s literature portrays autistic characters. ...odds are high that teens will have an autistic family member, or a classmate with Asperger syndrome, or a neighbor on the spectrum."

Keeping Up with the Racing Rules by Emma D. Dryden from Our Stories, Ourselves. Peek: "We can't wish away the fact kids are growing up fast, doing everything fast, wanting everything fast, and getting everything fast."

Shattering the Multicultural Myth of the Market. Let's Go! from Mitali Perkins. Peek: "We are tweeting, texting, status-ing, and insta-ing that book until our friends are convinced they must buy it right now or their quality of life will diminish."

"Ariel" by Katherine Catmull: a new story from The Cabinet of Curiosities. Note: "about a mistreated bird and its shadow."

This Week at Cynsations

Enter to win a signed copy!

More Personally

My Week: Travel, Events, Revision! Thank you to TLA, LATFOB, librarians, YA readers, and Candlewick Press for a blurry flurry of bookish fun.

I sent my editor my Feral Pride revision on Wednesday, and she sent notes back on the first half on Thursday. Notes on the second half will come Tuesday. I've been focusing on chapter one, the target of her most substantive suggestions. My goals are to orient the reader, kick off the action, and maintain in the narrative continuity--all of which are more challenging with book 3 in a trilogy and book 9 in a universe. We're almost, but not quite there.

With authors Laurie Halse Anderson & Cecil Castellucci at The Los Angeles Times Festival of Books.
Texas Teens for Libraries at the TLA Annual Conference in San Antonio (that's my back in white).

See also Nikki Loftin and Lupe Ruiz-Flores on the Texas Library Association annual conference.

The post on my mind this week? The Best Bums in Children's Fiction -- Or Why Are So Many Children's Books About Bottoms? by Emma Barnes from An Awfully Big Blog Adventure. Peek: "...for the average five year old, toilet training and bed wetting are still very immediate issues, and getting oneself to the toilet on time can be a source of pride (or sometimes an embarrassing failure)."

Greg models Little Green Men at the Mercury Inn at the Macmillan booth at TLA.
Congratulations to Greg Leitich Smith on a rave review from Publishers Weekly for Little Green Men at the Mercury Inn (Roaring Brook, 2014). Peek: "...an engaging, humorous look at humans learning that they’re not alone in the universe."

Author blurbs also are in:

"Aliens, government coverups, bionic limbs, kooky scientists, luau pigs, conspiracy theories, and mysterious patio furniture—I don't know about you, but these are the things I look for in a great story. Little Green Men at the Mercury Inn has all of them, plus a huge dose of humor. Read it and enjoy, but be warned: You may never want to eat roast pork ever again." —Matthew Holm, co-creator of Babymouse and Squish

“Here is a story for everyone who has ever wondered if that brilliant green light was a UFO. It's for everyone who has ever imagined living on Mars. In short, it's for everyone who has ever asked the question, 'who am I, really?’ Read it, then make your reservations at the Mercury Inn. Just don’t be alarmed if you find an alien in the refrigerator."—Kathi Appelt, Newbery Honor author of The Underneath

Don't miss my Q&A interview this week at The Horn Book. Peek: "...of late, I’ve become intrigued by wereorcas and Dolphins. I’ve lived a largely mid- to southwestern, landlocked life, so even though most of our world is covered by water, to me it’s as alien and fantastical as anything we’d find in fiction."

Reminder: E-volt is having a sale on Eternal by Cynthia Leitich Smith (Candlewick) for $1.99 and Feral Nights by Cynthia Leitich Smith, $2.99--discount prices will hold through April! Listen to an audio sample of Feral Nights and read a sample of Eternal.

Cheers to Dr. Sylvia Vardell on receiving the 2014 ALA-Scholastic Library Publishing Award!

Personal Links

Cynsational Events

Join Varian Johnson, Greg Leitich Smith and Jennifer Ziegler in celebrating their new middle grade novels at 2 p.m. June 14 at BookPeople in Austin.

Writing and Illustrating for Young Readers will be held June 16 to June 21 at the Waterford School in Sandy, Utah. Keynote speaker: James Dashner; faculty includes Cynthia and Greg Leitich Smith. Learn about the WIFYR Fellowship Award. See also Alison L. Randall on Choosing a Writing Conference

Join Cynthia Leitich Smith in discussing Feral Curse (Candlewick, 2014) with the YA Reading Club at 11 a.m. June 28 at Cedar Park Public Library in Cedar Park, Texas.

Thursday, April 17, 2014

readergirlz: Support Teen Literature Day & "Rock the Drop"


By Melissa Walker of readergirlz
for Cynthia Leitich Smith's Cynsations

In conjunction with Support Teen Literature Day, top young adult authors, editors, teen lit advocates, and readers will “Rock the Drop” by leaving their books in public places for new readers to discover and enjoy.

In recognition of the readergirlz’s seventh birthday of promoting literacy and a love of reading among young women, our fans and followers are also encouraged to donate YA books (or time, or even monetary contributions) to seven very worthy literacy philanthropies.

Cyn supports Reading is Fundamental!
The groups include: First Book, The Lisa Libraries, Girls Write Now, 826 National, Room to Read, Reading is Fundamental, and World Literacy Foundation.

For this year’s Drop, we are also teaming up with Justine Magazine and I Heart Daily to help spread the world and build enthusiasm for this always-enjoyable kick off to spring reading season!

A nationwide effort of authors, publishers, librarians, educators, and readers

In its sixth year, Rock the Drop is part of a massive effort by librarians, young adult authors, educators, publishers, and avid readers to spur reading on a nationwide scale. The day aims to encourage teens to read for the fun of it.


Cyn is dropping...!
  • In past years, more than 100 young adult authors—including David Levithan, Sara Zarr, Libba Bray, Sarah Dessen, and Cynthia Leitich Smith—have “rocked the drop,” leaving copies of their books in public places for teens to find.
  • Publishing houses both “Big Six” and indie alike have donated tens of thousands of books to dedicated literacy philanthropies, in addition to rocking the drop, too.
  • Teens, librarians, teachers, and other fans of YA literature are also invited to rock the drop, on their own or as a group.
  • Participants are encouraged to donate to any of our seven suggested philanthropies – or one of their own! Post on the Readergirlz Facebook page to update us on some of your favorite worthy causes.

Operation Teen Book Drop aims to reach a large number of teen groups,” rgz diva Melissa Walker said. “We’re thrilled to be celebrating our website’s seventh birthday with this fun, festive day!”

How to support Rock the Drop:

Learn more!

About Support Teen Literature Day

In its sixth year, Support Teen Literature Day is April 17, 2014, and will be celebrated in conjunction with ALA’s National Library Week. Librarians across the country are encouraged to participate in Support Teen Literature Day by hosting events in their libraries. The celebration raises awareness that young adult literature is a vibrant, growing genre with much to offer today’s teens. Support Teen Literature Day also seeks to showcase award-winning authors and books in the genre, as well as highlight librarians’ expertise in connecting teens with books and other reading materials.

About readergirlz

Lorie's new release!
readergirlz is a literacy and social media project for teens, awarded the National Book Award for Innovations in Reading. The rgz blog serves as a depot for news and YA reviews from industry professionals and teens. As volunteers return full force to their own YA writing, the organization continues to hold one initiative a year to impact teen literacy.

Launched in March 2007, in celebration of Women's National History Month, readergirlz was cofounded by acclaimed YA authors - Dia Calhoun, Lorie Ann Grover, Justina Chen, and Janet Lee Carey. Readergirlz is currently maintained by awarded YA authors - Micol Ostow, Melissa Walker, and co-founder Lorie Ann Grover.

rgz Operation Teen Book Drop has donated over 30,000 new YA books to under-served teens.





Wednesday, April 16, 2014

Five Questions for Cynthia Leitich Smith from The Horn Book

Compiled by Cynthia Leitich Smith
for Cynsations

What fun it was to chat with The Horn Book about creepy cuisine, werecats and the kind of shape-shifter I'd most like to be!

Pop over to check it out and join in the conversation!

See also a review of my latest novel, Feral Curse (Candlewick, 2014) from The Horn Book. Peek:

"Debut character Kayla — level-headed, religious, but also quietly proud of her shifter nature — holds her own, nicely complementing Yoshi’s swagger, Wild Card shifter Clyde’s newfound confidence, and human Aimee’s resourcefulness. Witty banter peppered with pop-culture references keeps the tone light even as the stakes ramp up."


Cynsational Notes 

Reminder: E-volt is having a sale on Eternal by Cynthia Leitich Smith (Candlewick) for $1.99 and Feral Nights by Cynthia Leitich Smith, $2.99--discount prices will hold through April! Listen to an audio sample of Feral Nights and read a sample of Eternal

Tuesday, April 15, 2014

Guest Post & Giveaway: Michele Weber Hurwitz on Musings about Comparisons

By Michele Weber Hurwitz
for Cynthia Leitich Smith's Cynsations

I have a quote taped on the wall above my computer so it's the first thing I see every morning when I sit down to write.

"Comparison is the thief of joy."

That little gem comes from some guy named Theodore Roosevelt.

What a simple, true, and startling piece of advice. The idea that comparison is a thief, and it can steal your joy, take away your happiness.

My mother had a more delicate, loving way of putting it: "Appreciate what you have, Little Miss Smarty Pants."

This, in fact, seems to be my life lesson. I wish I could have told it to my younger self.

In this photo of me at five years old, I must have received a gift (what are those? pants? pajamas?) and so did my friend. I'm the one closer to the door. A picture is worth a thousand words, right? There I was, caught in the moment, looking at what she got, not what I got. Comparing.

And as you can see, I'm not smiling.

In high school, I compared my unruly, crazy curly hair to girls with seemingly carefree, straight locks (oh, their swinging ponytails!). In my early twenties, as I struggled to find a job, I compared myself to friends whose careers were taking off.

And later on, when I went after my dream of writing a book, I compared myself to authors who secured an agent and got published easily and quickly, while I stumbled and made endless mistakes.

Let's not even talk about those early query letters. Or those early manuscripts.

Don't get me wrong. I've had many happy, non-comparing moments. And I'm sure that comparison is somewhat human nature. Heck, I bet even cave women compared their hauls when they gathered herbs and berries.

But since authors live (and write) in a world of superlatives, comparison is all too easy to fall prey to. Scroll through your Facebook news feed or your Twitter timeline or the latest Publishers Weekly. It's all there for us comparison-junkies.

Six-figure deal! Auction! Trilogy sold in 44 countries. Starred reviews. Best-seller. Award-winning, must-read, most unbelievable book ever to be published in the history of time; plus it's being made into a movie! OMG!

While I readily and happily applaud my fellow authors' successes, I know I'm not the only writer out there who sometimes feels daunted. And intimidated. And like maybe it's a better idea to spend the day under the covers.

But then I look up.

COMPARISON IS THE THIEF OF JOY.

I have another quote taped next to that one: "I wish that I had duck feet."

That's the title of a favorite book I had when I was little, an early reader by Theo. LeSieg. It's the humorous and insightful story of a young boy who wishes he had various animal parts, like duck feet, a whale spout, and an elephant trunk. But as he imagines the pros and cons of life with these seemingly fun but ultimately troublesome additions, he decides that he's better off just being himself.

Good choice. That's probably my other life lesson. And perhaps, everyone's.

The ideas of comparison and being yourself are themes that run through both of my middle grade books, Calli Be Gold (Wendy Lamb Books, 2011) and my new release, The Summer I Saved the World...in 65 Days (Wendy Lamb Books, 2014).

In Calli Be Gold, Calli, the youngest child in a super-achieving "golden" family, struggles with the fact that she's a regular kid and isn't talented at sports like her siblings. She finds out what she's good at when she bonds with an awkward second grade boy in a peer helper program at school. In her own quiet way, Calli stands up to her intense, overbearing dad and makes him understand that talent comes in many forms.


In The Summer I Saved the World...in 65 Days, the main character, Nina Ross, questions whether doing good really makes a difference. She gets inspired from her eighth-grade history teacher's parting words and spends a summer doing secret good deeds in her neighborhood and for her family, despite the fact that she knows her best friend won't understand. Nina is confused and somewhat insecure, unsure of her "group" and where she'll fit in to the overwhelming world of high school.

As the good deeds prompt events she wasn't expecting, Nina has to decide whether or not to stay true to her plan and herself.


Creating and getting to know the characters of Calli and Nina has taught me, as an author, to appreciate the satisfaction in small moments.

While glowing reviews and awards are certainly wonderful, I've come to realize that rewards arrive in many forms, and often the best are the most heartfelt, touching, and personal.

Perhaps it's connecting with a child at a school visit, like the boy who admitted he didn't want to read Calli Be Gold because there was a girl on the cover, but now it's one of his favorite books. Or the email I received from a girl who wrote that Calli "inspires me to be open and kind to everyone. She makes me want to be myself." And the boy who was too shy to come up and have me sign his book at a recent event, and sent his friend to my table instead. When I waved to the boy, his surprised, thankful, light-up-the-room smile was absolutely perfect.

It's these moments when I nod silently to myself and think: these are the real superlatives.

 

Cynsational Giveaway

Enter to win a signed copy of The Summer I Saved the World...in 65 Days by Michele Weber Hurwitz (Wendy Lamb, 2014). Author sponsored. Eligibility: North America.

a Rafflecopter giveaway

Monday, April 14, 2014

Guest Post: Cheryl Rainfield on Writing Bravely

By Cheryl Rainfield
for Cynthia Leitich Smith's Cynsations

I’ve always had a strong need to break the silence about abuse and oppression, and to speak my truth.

Even my abusers, who repeatedly threatened to kill me if I talked, couldn’t shut down that part of my spirit.

I just found another way to do it while they abused me—not through verbal speech, through “talking,” but through art and writing. There lay healing, release, and freedom. There lay reaching out to other people, trying to find safety—and, I found, helping others know they weren’t alone.

I didn’t think of myself as brave, though so many people told me I was over the years that I developed a resistance to it—but rather as doing something that I had to do to survive.

Scars (WestSide, 2010) is an extension of that. In Scars, I wrote about things I needed to break silence about, and hoped to bring greater compassion about—being a sexual abuse survivor, cutting to cope, and being queer.

Those are all things I’ve experienced and know firsthand—and they’re also all things that I’ve been judged, blamed, or hated for in my life.

When you’re hated for who you are or who you love, for how you cope (when it isn’t hurting anyone else), or for the trauma you experienced (and your responses to the trauma), speaking out becomes a necessity. At least, it was for me.

But writing from your own trauma and pain, exposing your vulnerability, your deepest fears and hopes—baring your soul for multitudes of strangers to see—can be frightening and hard. It takes courage to write it and courage to show it.

Yet I believe that writing that taps into our own experiences and emotional truths can be among the most powerful writing. I think that it can touch others on a deep level, evoke compassion or thought, create change. And that’s something I always want to do.

There is so much of me in Kendra, the main character of Scars. So much of my vulnerability and self doubt, my emotional wounds from the abuse, my longing for real love and safety, for an end to abuse.

I know I’ve connected with my readers; it’s incredibly satisfying to receive reader letters telling me that they feel less alone, or understood for the first time in their lives, or like I was writing about them. Those letters are a balm to some of my wounds. Just getting Scars published was.

What can be hard is to read any criticism and not absorb it, not have it be a criticism about me. To not have it trigger me into depression or echoes of my abusers’ words for hours or days at a time.

Criticism, rejection—they are all part of being a writer, and they can hurt so much. It takes courage to keep on writing in the face of that.

It takes courage to pour your soul into your work, and it takes courage to read reviews about that work. But it is deeply rewarding to write your emotional truths, to write the way you need to write, to talk about the things you need to talk about, and to know that your writing is reaching others.

I hope to always write as honestly and with such courage. And I hope you do, too.

Cynsational Notes

This post was originally published in April 2011. Past posts will be sprinkled into the schedule for the duration of Cyn's revision deadline. 

Cheryl's more recent books include Hunted (WestSide, 2011) and Stained (Houghton Mifflin Harcourt, 2013). From the promotional copy of Stained:

Seventeen-year-old Sarah Meadows covers the walls of her bedroom with images of beautiful faces she clips from magazines--and longs for "normal." Born with a port-wine stain covering half her face, all her life she's been plagued by stares, giggles, and bullying, and disgust. Why can't she be like Diamond, the comic-book hero she created? Diamond would never let the insults in. That's harder for Sarah.

But when she's abducted on the way home from school, Sarah is forced to uncover the courage she never knew she had. Can she look beyond her face to find the beauty and strength she has inside, somehow becoming a hero rather than a victim? It's the only way Sarah will have any chance of escaping the prison--both seen and unseen--that this deranged killer has placed around her.

Friday, April 11, 2014

Event Report: Texas Library Association Annual Conference

By Cynthia Leitich Smith
for Cynsations

Wow! What fun I had at the Texas Library Association annual conference in San Antonio. Thank you, Texas librarians, publishers, authors, illustrators, exhibitors and teens for a wonderful event!

With fellow Candlewick YA author E.E. Charlton Trujillo
Author Nikki Loftin
Author-illustrator Don Tate
Author Donna Bowman Bratton & SCBWI Austin RA Samantha Clark
Author Joy Preble
YA Literature Goddess Teri Lesesne & author Laurie Halse Anderson
With Penguin sales rep Jill Bailey
Greg with author-librarian Debbie Leland
Greg models Little Green Men at the Mercury Inn (June 2014)
Author K.A. Holt with E.E.
With Greg and children's-YA poetry guru Sylvia Vardell
With fellow author Elizabeth Bluemle
Author Phil Bildner
Bookseller Danny Woodfill with author-illustrator Mary Sullivan
With fellow author Varsha Bajaj
Greg with fellow author Sara Kocek
With author Greg Rodgers (Choctaw)
Author Liz Garton Scanlon
Author Varian Johnson
Texas Teens 4 Libraries
With Teri
Thank you, Candlewick Press!

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